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Spacek and Simmons play a couple dealing with aging issues in a rural Illinois town where the sudden appearance of an enigmatic man (Chai Hansen) in their home sets off a chain reaction. And it gets off to a touching start only to wind up tangled in its own narrative weeds, straying into multiple storylines that takes us away from what was working so well - the relationship between the two leads.
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“Night Sky”: Amazon Prime’s latest sci-fi-tinged series comes with the high-caliber talents of Sissy Spacek and J.K. And, in the end, how can you resist this five-episode series that delves into the everyday lifestyle and mating rituals of dinos that aren’t, say, a T-rex or a stegosaurus? Details: 3 stars episodes released daily this week. How historically accurate is it? It sure appears that everyone took great pains to do the best they could. A collaboration between Disney go-to filmmaker Jon Favreau, British producer Mike Gunton and BBC Studios’ Natural History unit, it’s a technical marvel with each roughly 40-minute segment zipping us off to coasts, deserts and so on. It’s an impressive and visually audacious feat to behold, one that gains more documentary cred from landing the highly regarded Sir David Attenborough as narrator. “Prehistoric Planet”: Apple TV+ metaphorically and impressively takes us back 66 million years to observe with child-like wonder CGI dinos roam Earth and fight for survival. This is a reflective, sensitive feature in which the stunning cinematography of stark Montana landscapes compliment the mood and further the accomplishments of the thoughtful performances and story. But the filmmaking duo that gave us “What Maisie Knew” and “The Deep End” offset the stormfront of despair with genuine if fleeting moments of self-discovery and reconciliation. Scott McGehee and David Siegel’s first feature in nearly 10 years sounds like it’s nothing more than an endurance test. Now they’re forced back together by dire circumstances at the family ranch in Montana where Cal has assumed the role of the father’s caretaker. “Montana Story”: An insufferable childhood inflicted on them by their father has driven siblings Cal (Owen Teague) and Erin (Haley Lu Richardson) far apart. Details: 4 stars out of 4 in select Bay Area theaters starting May 24, expanding to additional theaters May 26-27. Popcorn movies just don’t get much better or more thrilling than this. Add in a very strong female character - single mom/bar owner Penny (Jennifer Connelly), breathtaking, state-of-the-art aerial stunts and special effects and a lovely Lady Gaga theme song and “Top Gun: Maverick” nails the landing as one of the best summer blockbusters you’ll ever see. Maverick’s reckoning with the doubts and actions of his past leads him to one of the sequel’s most poignant moments – a reunion with his friend and former rival, Admiral Tom “Iceman” Kazansky (Val Kilmer). Bradley Bradshaw (Miles Teller), son of Maverick’s former partner “Goose,” who was killed in the first film. The scenario only sets the table for the main event: tension-filled encounters with wannabe Top Gun pilot Lt. Maverick needs to show them how maneuver into enemy territory (the “enemy” isn’t named per se, and the film avoids being militantly jingoistic) without crashing. He’s still ruffling the feathers of superiors (such as debonair Jon Hamm) when he’s assigned to school a new league of rowdy Top Gun Navy pilots (played by the spirited, memorable cast of Danny Ramirez, Glen Powell, Monica Barbaro, Jay Ellis and so on).
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Here, Maverick has mellowed a touch but his renegade, upstart ways remain. He plays cocky airman Pete “Maverick” Mitchell. Best of all, they avoid getting sand-trapped in the past by giving veteran and new characters clearly delineated and up emotionally compelling predicaments.Īnchoring it is Cruise, of course, revisiting one of the roles that established him as a superstar and delivering one of his best, most mature performances. Kosinski and screenwriter Christopher McQuarrie pull off a full-on renovation, using Tony Scott’s original as the foundation for something new while paying due respects to some of first film’s essentials (Kenny Loggins’ “Danger Zone” gets replayed, and that homoerotic beach volleyball scene is replaced with beach football).